Tuesday, 19 June 2018
I saw a lovely, gentle film last night (a remake of an Argentinian film from 2010) about a put-upon Catholic housewife who begins to find herself when she discovers a talent (and a partner) for competitive jigsaw puzzles. It's the opening film of the Edinburgh Film Festival. There's a trailer here and review here.
I can't do jigsaws - haven't the patience - though I imagine the satisfaction of the last piece is similar to that 'all's right with the world' feeling that you get from completing a challenging crossword.
But if you are a puzzle fan, these are the jigsaws from the movie.
I was puzzling over where I'd seen Kelly Macdonald before until I remembered that she was Christopher Robin's beloved nanny.
Last week's film was Leave No Trace - which I wanted to like more than I did because it's beautifully filmed if you like the great outdoors (I don't much!) but sooooo slow-moving. It's had ecstatic reviews but I came away feeling short-changed as so many questions weren't answered ... like, how long had Tom and her army veteran dad been living in the wild? and where was Tom's mother? Maybe I'm too literal minded. A wonderful performance by the young New Zealand actress who plays Tom and a very funny scene when she and her father feel obliged to attend church. But it didn't quite pass the slumber test as I drifted off for a few minutes and, as I clearly have more vulgar taste than The Guardian reviewer, I'll admit that I preferred Captain Fantastic.
Actually, I went to another film over the weekend - L'Aveu, an oldie with Yves Montand and Simone Signoret, based on the true story of a communist politician, one of the accused in a 1951 Stalinist show trial in Czechoslovakia. (A Czech historian appeared at the end and seemed to have lots of quibbles about the veracity of the film but didn't make a very good job of explaining why.)
Gripping, but gruelling - and no, I couldn't persuade anyone to come with me!
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