Woman with Dagger, 1931 |
Woman in a Red Armchair, 1931 |
And this is the large painting he does, very quickly, on Christmas Day, a portrait of his secret (and much younger) lover Marie-Thérèse, with her face obliterated and her features replaced by a heart. (They met - or rather, he picked her up - in Galeries Lafayette one day when she was 17 and had gone to the store to buy a Peter Pan collar and cuffs. She remained in love with him for the rest of her life and said that he was the only person who ever really looked at her and properly saw her. )
And that's the opening of Tate Modern's magnificent Picasso exhibition that gives a day by day/month by month account of just one year in his life, 1932, when he was 50. I was riveted; when you look at the dates, you realise what a furious pace he worked at.
The Dream |
I was one of the last to leave yesterday and stood in front of this for a long time; every curve seems imbued with love. (Of course, I'm glad that it wasn't me who did this. Whoops! )
2 comments:
Oh yes, I'd like this Mary. I do like Picasso's work.
It is a stunning exhibition, Veronica, I'd like to go back.
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